“Loose-limbed, carefree and full of iridescent shuffles that send the listener scarpering back for more … a pure delight.” ★★★★ — Siobhán Long, The Irish Times
“The master’s return is an uplifting musical tribute based on excited respect, rather than hushed reverence, for music of the past. That’s what makes traditional music tick.” – Dermot McLaughlin, The Journal of Music
Renowned fiddle player Frankie Gavin, who co-founded the highly influential supergroup Dé Danann, joins forces with the father-and-son duo of Malachy Bourke (fiddle) and Brian Bourke (bodhrán) to explore the spry and athletic repertoire of early twentieth-century Sligo-American fiddler, Paddy Killoran (1904-1965). The master’s return: A tribute to Paddy Killoran features their joyous, quicksilver versions of the tunes that Killoran played – tunes popularised through 78rpm recordings made in New York after the First World War.
“The cheerful lift of Killoran’s style catches you every time,” says Frankie Gavin, “and while the pain of emigration can be sensed in his music, it still embodies the life and soul of Irish traditional music.”
Malachy Bourke, who plays a fiddle once owned by Killoran, is just as gripped by the legacy of the Sligo master: “When I was given a tape of Paddy Killoran as a child, the penny dropped. The music was beautifully raw and wild. This was the music I wanted to play.”
A luminary of Irish traditional music, Frankie Gavin was born in Corrandulla, County Galway in 1956. In the early 1970s he co-founded Dé Danann, with whom he recorded several critically acclaimed albums. Gavin has also performed with such diverse musicians as Andy Irvine, The Rolling Stones, Elvis Costello and Stéphane Grapelli.
Malachy Bourke took lessons with Frankie Gavin, and, as a teenager, attended Tommy Peoples’ fiddle class at the Willie Clancy Summer School in Miltown Malbay. Bourke’s debut solo record, Draw the Bow was released in 2001, followed by Live at the Steeple Sessions, an album with fiddle player Toner Quinn, released on the Ergodos label in 2013.
Brian Bourke is an Irish artist, Aosdána member, and bodhrán player. His first solo exhibition was in 1965. A retrospective of his work was held in 2010. He has known Frankie Gavin since he moved to Galway in the 1970s, and has often performed with him. He lives in Rosscahill, County Galway, with his wife, the painter Jay Murphy.
"Immediately obvious in Kevin Volans’s hypnotic new chamber compendium is the conflicting tug and tumult of deep, dislocating emotional currents.... Performances by long-time Volans collaborators Waldo Alexander (violin/viola) and Jill Richards (piano) are beautifully modulated and full of glistening details. Excellent recorded sound." – Michael Quinn, classicalear.co.uk"...a composer who is too flexible to be locked into expectations..." – The Wire, December 2015
Appearing together for the first time in many years, fiddle duo Toner Quinn and Malachy Bourke performed Dublin's Unitarian Church in June 2011. This is a record of that concert – a document of two of Ireland's finest traditional musicians re-visiting and evolving a shared, highly personal language.'A distilled delight' – The Irish Times
Not is a gently undulating ambient electronic work by English composer Clive Wilkinson. Haunted by the ghost of the "sad bird" in Maurice Ravel's piano masterpiece Miroirs, Not is both an elegy and an atmosphere.
Dubh is the debut album from Trio Scordatura and the first release on the Ergodos Records imprint. Dubh is about a certain generation of Irish composers, a generation that is finding its place between tradition and the modern world. A consistent atmosphere of slow-burning introspection prevails."... a startling disc ... the nub of everything here is Trio Scordatura: an idiosyncratic voice, Harry Partch inspired-viola and MIDI keyboards. Whatever the approach or challenge set, this ensemble investigates with such thoroughness and panache so that each work sets one on a sonic adventure." – Bernard Clarke, cmc.ie