Dublin composer Jonathan Nangle’s transcendent music for strings comes to life in these luminous recordings by Crash Ensemble, Ireland’s leading ensemble for adventurous new music. Pause is the debut album from a composer whose work draws on a carefully selected palette of ravishingly beautiful materials. This is music of serene focus; often fragile, always intricately woven.
In Where distant city lights flicker on half-frozen ponds (2011), Nangle enhances a solo violin with electronic resonators which subtly colour the musical material like a heat shimmer. My heart stopped a thousand beats (2008) is a slow ritual for viola and cello, unhurriedly unfurling into a series of fragments.
The mercurial title track, Pause (2015), was inspired by the idea of data glitches in both music and visual media. A snippet of music by early twentieth-century American composer Charles Ives is processed, rearranged and deliberately glitched, serving as as a springboard to new material. The two Fragment tracks also featured on the album are short improvisations on passages that occur within Pause – reflections of fleeting images.
The album closes with Tessellate (2016) for cello and electronics, inspired by the phenomena of tessellations, where a shape is repeated over and over again, covering a plane without any gaps. Here, Nangle works with skewed repetition to create a feeling of inevitable groove, at once highly compelling and ungraspable.
Jonathan Nangle (1981) is a composer whose work explores many diverse fields – from notated acoustic and electro-acoustic compositions, through live and spatially distributed electronics, to video, sound installation and electronic improvisation. His work has been featured at numerous festivals, choreographed for film and stage, and broadcast internationally. jonathannangle.com
Crash Ensemble is Ireland’s leading new music ensemble; a group of world-class musicians who play the most adventurous, ground-breaking new music of today. Crash have worked with many well-known artists from diverse musical backgrounds including Steve Reich, Louis Andriessen, Gerald Barry, Dawn Upshaw, Sam Amidon, Gavin Friday, James Dillon, Terry Riley, David Lang, Íarla Ó Lionáird (The Gloaming), Bryce Dessner (The National) and Laurie Anderson. crashensemble.com
Revelatory, celebratory music by Garrett Sholdice, Benedict Schlepper-Connolly and Linda Buckley inspired by Christmas music by a mediæval master, and performed by Ergodos Musicians: vocalist Michelle O'Rourke, clarinettist Jonathan Sage and cellist Kate Ellis, with Sholdice and Schlepper-Connolly on piano and guitar respectively.… [An] eloquent meditation … The mood is spiritual, perhaps, but hardly sectarian, with a warm bath production style taking full advantage of studio effects – I Care If You Listen Magazine
Franz Schubert's ever-popular Four Impromptus, Opus 90 presented in a totally new context, performed with rare sensitivity by Belfast-born pianist Michael McHale."...a nuanced masterpiece..." – The Sunday Business Post"Spirited, well-shaped Schubert" – BBC Music Magazine
Composer Simon O'Connor and vocalist Michelle O'Rourke present a collection of haunting songs inspired by the stories of the widows of rebel leaders involved in the 1916 Easter Rising."There was no shortage of music contributions for the 1916 centenary, but I doubt if there was anything more original or insightful than this thought-provoking collection that focused not on the rebel leaders, but on their wives and sweethearts." – The Sunday Business Post