Dublin composer Jonathan Nangle’s transcendent music for strings comes to life in these luminous recordings by Crash Ensemble, Ireland’s leading ensemble for adventurous new music. Pause is the debut album from a composer whose work draws on a carefully selected palette of ravishingly beautiful materials. This is music of serene focus; often fragile, always intricately woven.
In Where distant city lights flicker on half-frozen ponds (2011), Nangle enhances a solo violin with electronic resonators which subtly colour the musical material like a heat shimmer. My heart stopped a thousand beats (2008) is a slow ritual for viola and cello, unhurriedly unfurling into a series of fragments.
The mercurial title track, Pause (2015), was inspired by the idea of data glitches in both music and visual media. A snippet of music by early twentieth-century American composer Charles Ives is processed, rearranged and deliberately glitched, serving as as a springboard to new material. The two Fragment tracks also featured on the album are short improvisations on passages that occur within Pause – reflections of fleeting images.
The album closes with Tessellate (2016) for cello and electronics, inspired by the phenomena of tessellations, where a shape is repeated over and over again, covering a plane without any gaps. Here, Nangle works with skewed repetition to create a feeling of inevitable groove, at once highly compelling and ungraspable.
Jonathan Nangle (1981) is a composer whose work explores many diverse fields – from notated acoustic and electro-acoustic compositions, through live and spatially distributed electronics, to video, sound installation and electronic improvisation. His work has been featured at numerous festivals, choreographed for film and stage, and broadcast internationally. jonathannangle.com
Crash Ensemble is Ireland’s leading new music ensemble; a group of world-class musicians who play the most adventurous, ground-breaking new music of today. Crash have worked with many well-known artists from diverse musical backgrounds including Steve Reich, Louis Andriessen, Gerald Barry, Dawn Upshaw, Sam Amidon, Gavin Friday, James Dillon, Terry Riley, David Lang, Íarla Ó Lionáird (The Gloaming), Bryce Dessner (The National) and Laurie Anderson. crashensemble.com
Inspired by the secret histories of landscapes, old maps and memory, this music by Dublin composer Benedict Schlepper-Connolly possesses the ecstatic, unforced beauty of the natural world – at once minimal and teeming with matter."...a thing of rare, rich beauty..." – Michael Quinn, Classical Ear"...filled with a haunting beauty..." – Whole Note Magazine (Canada)"This is a very strong modern classical work, inspired by old maps, memory and importantly – landscapes. It feels like a fresh, outdoor record – perfect for Autumn and the colder months ahead. Highly recommended." — Irregular Crates
Working closely with the members of Ergodos Musicians, composers Garrett Sholdice and Benedict Schlepper-Connolly arrange, re-compose, weave and stitch material drawn from the songs they love, spanning over 800 years of music, from John Dowland and Vivaldi to Steve Earle, Richard Thompson and The xx.'Nothing could better exemplify the continued vitality of the song tradition' ★★★★ 'CD Choice' – The Irish Times
Fluence is a two-track EP by Alexander Harker. Harker negotiates the terrains of acoustic and synthesized sound with a rare dexterity, conjuring highly variegated work that feels as if it could turn in any direction at any moment.
Released on limited edition, transparent orange vinyl, with stunning artwork by Craig Carry, woodwind instrumentalist and composer Seán Mac Erlaine’s second solo album is a place where haunting melodies are living, growing things, developing in sympathy with nuanced loops and fluttering particles of sound.“Mac Erlaine is an explorer at the frontiers of sound.” ☆ ☆ ☆ ☆ — The Irish Times