A complementary CD (The feeling of remembering) and vinyl (re:play) set, this release presents beautifully introspective music for cello by English composer Christopher Fox, performed by Anton Lukoszevieze.
“…a distinct flavour of distilled Elizabethan melancholia.” – Philip Clark, The Wire
I – The feeling of remembering I – 2:55 II – Susan’s purple – 5:37 III – The feeling of remembering II – 2:50 IV – The dark road – 7:42 V – The feeling of remembering III – 1:47 VI – Arc – 5:02 VII – The feeling of remembering IV – 2:56 VIII – re:play – 16:09 IX – The feeling of remembering V – 3:28
Side A I– re:play – 16:09 II – The principle of design – 3:34
Side B I – Susan’s purple – 5:37 II – The dark road – 7:42 III – Arc – 5:02
[All music featured on both CD and vinyl is also available as digital download. Both CD and vinyl come with a free download of the digital edition.]
A luxuriant set of recordings, The feeling of remembering (released on CD) and re:play (released on vinyl), present music for cello by the singular English composer Christopher Fox. Both formats share much of the same music – but each format frames the material in its own unique way, making for a beautiful, mutually enriching, collectable pair. Experimental music luminary Anton Lukoszevieze’s playing is in sharp focus here; the cellist also provides the iconic cover photograph.
Memory – “what we remember and how we remember it” – is the over-arching theme here. The feeling of remembering re-occurs across the CD like a re- encountered memory – each time the same, each time different. The dark road – “a memory of the Irish community in Leeds” – is also involved in recollection. The CD version of this piece is hauntingly underscored by voices of men who came from Ireland to Leeds to build the English motorways. Fox describes re:play as “music which gradually forgets itself – a briefly sketched melody that can never be recalled, in spite of recordings which remember what has just been forgotten”.
Other works find inspiration in the rich qualities of the instrument, or an aesthetic question. Susan’s purple delights in the full-throated voice of the cello, whilst Arc re-imagines the instrument as a hurdy-gurdy. The principle of design takes its title from the writings of late-nineteenth-century writer and feminist Charlotte Perkins Gilman: “I know a little of the principle of design, and I know this thing was not arranged on any laws of radiation, or alternation, or repetition, or symmetry.”
“Working as a team, Fox and Lukoszevieze generate music with a very particular creative purpose and a distinct flavour of distilled Elizabethan melancholia.” – Philip Clark, The Wire
Christopher Fox (b.1955) is widely regarded as one of the most individual composers of his generation, often working at a tangent to the musical mainstream. He has chosen to base his compositional career around close collaborations with a number of performers, including the instrumental groups Ives Ensemble, KNM Berlin and Apartment House, and the vocal ensembles The Clerks and EXAUDI. His work regularly extends beyond the conventional boundaries of the concert hall and includes the radio piece Three Constructions after Kurt Schwitters, the evening-long ensemble installation, Everything You Need To Know, and the music-theatre documentary Widerstehen. He lives in London with his wife, the writer Susan McNally, and is Professor of Music at Brunel University.
Cellist and inter-disciplinary artist Anton Lukoszevieze (lu-ko-shev-it-sheh) is one of the most diverse performers of his generation. Notable for his performances of avant-garde, experimental and improvised music, Lukoszevieze has given many performances at numerous international festivals. From 2003 until 2014 he was a member of the Zeitkratzer ensemble. He is noted for his use of the curved bow (BACH.Bogen), which he is using to develop new repertoire for the cello, and he is founder and director of the group Apartment House. In 2012 he was awarded a Royal Philharmonic Society Award for outstanding contributions to chamber music.
An engrossing sweep of the Irish composer David Collier's recent work.“...this music is ingenious, inventive and actually full of tension despite the seeming serene focus. The nuance of touch and timbre are brilliant and that timelessness … that frozen quality of the combination of sometimes busy surface and slowly unfolding structure, that is bewitching here. Momentum and stasis.” – Bernard Clarke, Nova, RTÉ lyric fm
Working closely with the members of Ergodos Musicians, composers Garrett Sholdice and Benedict Schlepper-Connolly arrange, re-compose, weave and stitch material drawn from the songs they love, spanning over 800 years of music, from John Dowland and Vivaldi to Steve Earle, Richard Thompson and The xx.'Nothing could better exemplify the continued vitality of the song tradition' ★★★★ 'CD Choice' – The Irish Times
The debut album from Scott McLaughlin, an Irish composer of immersive, experimental music, currently based in the UK. Immediately arresting and all-consuming, the album features highly focused performances by Quatour Bozzini, Trio Scordatura, Jonathan Sage, Iain Harrison, and the Metastable Collective.This album is a delivery system for concentrated listening [...] it comes highly recommended... – Stephen Graham, Tempo