“Loose-limbed, carefree and full of iridescent shuffles that send the listener scarpering back for more … a pure delight.” ★★★★ — Siobhán Long, The Irish Times
“The master’s return is an uplifting musical tribute based on excited respect, rather than hushed reverence, for music of the past. That’s what makes traditional music tick.” – Dermot McLaughlin, The Journal of Music
Renowned fiddle player Frankie Gavin, who co-founded the highly influential supergroup Dé Danann, joins forces with the father-and-son duo of Malachy Bourke (fiddle) and Brian Bourke (bodhrán) to explore the spry and athletic repertoire of early twentieth-century Sligo-American fiddler, Paddy Killoran (1904-1965). The master’s return: A tribute to Paddy Killoran features their joyous, quicksilver versions of the tunes that Killoran played – tunes popularised through 78rpm recordings made in New York after the First World War.
“The cheerful lift of Killoran’s style catches you every time,” says Frankie Gavin, “and while the pain of emigration can be sensed in his music, it still embodies the life and soul of Irish traditional music.”
Malachy Bourke, who plays a fiddle once owned by Killoran, is just as gripped by the legacy of the Sligo master: “When I was given a tape of Paddy Killoran as a child, the penny dropped. The music was beautifully raw and wild. This was the music I wanted to play.”
A luminary of Irish traditional music, Frankie Gavin was born in Corrandulla, County Galway in 1956. In the early 1970s he co-founded Dé Danann, with whom he recorded several critically acclaimed albums. Gavin has also performed with such diverse musicians as Andy Irvine, The Rolling Stones, Elvis Costello and Stéphane Grapelli.
Malachy Bourke took lessons with Frankie Gavin, and, as a teenager, attended Tommy Peoples’ fiddle class at the Willie Clancy Summer School in Miltown Malbay. Bourke’s debut solo record, Draw the Bow was released in 2001, followed by Live at the Steeple Sessions, an album with fiddle player Toner Quinn, released on the Ergodos label in 2013.
Brian Bourke is an Irish artist, Aosdána member, and bodhrán player. His first solo exhibition was in 1965. A retrospective of his work was held in 2010. He has known Frankie Gavin since he moved to Galway in the 1970s, and has often performed with him. He lives in Rosscahill, County Galway, with his wife, the painter Jay Murphy.
Long After the Music is Gone is the new solo album from Dublin-based woodwind instrumentalist and composer Seán Mac Erlaine. It's an album of extraordinary ambience, rich with Mac Erlaine's distinctive supple reed work and subtle electronics. With each track Mac Erlaine seems to channel the atmosphere of a space or vista, immersing us.An extraordinary solo recording... consistently one of the most interesting and adventurous musicians of his generation. ★★★★ — The Irish Times.Curiously lovely tunes... I want to hear everything that Seán Mac Erlaine’s ever done. Compliments don’t get much bigger. — Hot Press
The first release devoted entirely to the music of Judith Ring. Painterly, sensuous, dark and beautiful music from one of Ireland's most important composers, featuring performances from some of the finest exponents of new Irish music, including Paul Roe, Kate Ellis, Malachy Robinson, Michelle O'Rourke, Natasha Lohan and Concorde, as well as genre-crossing performers such as Laura Moody and Beau Stocker.… the Vinko Globokar-esque imaginings of composer Judith Ring … – I Care If You Listen Magazine
A complementary CD (The feeling of remembering) and vinyl (re:play) set, this release presents beautifully introspective music for cello by English composer Christopher Fox, performed by Anton Lukoszevieze."...a distinct flavour of distilled Elizabethan melancholia." – Philip Clark, The Wire
Composer Simon O'Connor and vocalist Michelle O'Rourke present a collection of haunting songs inspired by the stories of the widows of rebel leaders involved in the 1916 Easter Rising."There was no shortage of music contributions for the 1916 centenary, but I doubt if there was anything more original or insightful than this thought-provoking collection that focused not on the rebel leaders, but on their wives and sweethearts." – The Sunday Business Post